Pendahuluan
Salah satu rangkaian kegiatan perayaan HUT ke-85 Gereja Kristen Pasundan adalah penanaman pohon bakau di hutan bakau di sekitar Cirebon. Program ini dimaksudkan untuk melindungi pantai dari erosi dan abrasi air laut, juga untuk melindungi pemukiman penduduk di tepi pantai dari terpaan badai dan angin laut. Manfaat lain dari keberadaan hutan bakau adalah mencegah intrusi (perembesan) air laut, sebagai tempat hidup satwa liar seperti ikan, udang, kepiting, burung dan monyet, sekaligus dapat menjadi tempat edukasi ekologi, serta dapat berfungsi sebagai pencegah proses perubahan iklim yang drastis dengan penyerapan CO2 dari udara.
Tentu saja, program yang dilakukan oleh Gereja Kristen Pasundan ini adalah bagian dari perhatiannya terhadap persoalan-persoalan lingkungan hidup yang ada di sekitarnya. Juga sebagai bagian dari upaya GKP menjadi Gereja bagi sesama dan upaya GKP memenuhi rencana pencapaian yang tertera dalam Rencana Kerja Dasarnya. Harapannya, perhatian GKP terhadap masalah lingkungan hidup tidak berhenti di program penanaman pohon bakau kali ini saja, tetapi juga terus dilakukan dalam berbagai bentuk program lainnya. Bahkan, melaluinya terjadi perubahan perilaku yang semakin ramah terhadap lingkungan.
Mengenal Mazmur 104
Kata “mazmur”[3] atau dalam bahasa Inggris “psalm” dan “psalter” (bahasa Latin “psalmi” dan “psalterium”), bahasa Yunaninya adalah “psalmoi” dan “psalterion”. Rupanya terjemahan-terjemahan ini adalah penerjemahan kata asli yang berbahasa Ibrani yaitu “mizmor”, artinya “lagu atau nyanyian atau kidung rohani yang dimainkan dengan alat musik.”[4] Dalam Alkitab kanon Ibrani, judul dari Mazmur adalah “seper tehilim” atau “buku nyanyian atau pujian” meskipun tidak seluruh mazmur berisi puji-pujian atau nyanyian. Istilah ini adalah nama yang baku, sebab secara umum, Mazmur memiliki tema pujian dan ucapan syukur kepada Tuhan yang muncul berulang-ulang.[5] Alkitab kanon Ibrani sendiri terbagi atas tiga bagian besar, yaitu Hukum (the Law), Para Nabi dan Tulisan-tulisan (the Prophets and the Writings), dan Buku Pujian.[6]
Menurut seorang ahli berkebangsaan Jerman, H. Gunkel, ada lima tipe mazmur, yaitu himne (bahasa Ibrani: tehilla; Mazmur 8, 19a, 29, 33, 46-48, 65, 66a, 76, 84, 87, 93, 95-100, 103-104, 113-114, 117, 122, 134-136 dan 145-150), mazmur ratapan komunal (Mazmur 60, 80, 126), mazmur kerajaan (Mazmur 2, 18, 20, 45, 110), mazmur ratapan pribadi (Mazmur 3-7, 22, 25-28, 51, 54-57, 139-143) dan mazmur ucapan syukur pribadi (Mazmur 30, 32, 34, 41, 116, 138)[7]. Gunkel menambahkan beberapa tipe mazmur lain di luar lima tipe utama di atas, yaitu mazmur yang berbentuk pengucapan syukur komunal (Mazmur 124), mazmur hikmat (Mazmur 1, 112), mazmur penziarahan (Mazmur 37, 49) dan berbentuk liturgi (Mazmur 75, 85).[8] Selain pembagian yang dilakukan Gunkel tersebut, Kitab Mazmur dapat dibagi ke dalam lima bagian yaitu pasal 1-41, 42-72, 73-89, 90-106 dan 107-150[9], dan setiap bagian telah meliputi adanya doksologi, dan formulasi liturgis untuk memuji Tuhan (pasal 41:13, 72:18-19, 89:52, 106:48 dan pasal 150).[10]
Sementara itu, Witte melakukan pengelompokan Mazmur berdasarkan dua kelompok besar yaitu kelompok tematik dan kelompok topikal. Kelompok tematik dibagi menjadi mazmur keluhan dan permohonan (Mazmur 3-6, 9-14, 22, 25-28), mazmur syukur dan pujian (Mazmur 135-136, 138, 144-150) dan mazmur YHWH sebagai Raja (Mazmur 29, 47, 92-99). Sedangkan mazmur topikal dibagi menjadi mazmur penitensi atau penyesalan dosa (Mazmur 6, 32, 38, 51, 102, 130, 143), mazmur pembuangan (Mazmur 44, 74, 79, 126, 137), mazmur historis (Mazmur 77-78, 105-106, 114), mazmur Kerajaan (Mazmur 2, 18, 20-21, 45, 68, 72, 89, 101, 110, 132, 144), mazmur balas dendam (Mazmur 69, 109, 137), mazmur penciptaan (Mazmur 8, 29, 104), mazmur Taurat (Mazmur 1, 19, 119), mazmur hikmat (Mazmur 37, 49, 73), mazmur Sion (Mazmur 46, 48, 76, 84, 87) dan mazmur Haleluya (Mazmur 113-118, 135-136, 146-150).[11]
Tampilkan postingan dengan label PL. Tampilkan semua postingan
Tampilkan postingan dengan label PL. Tampilkan semua postingan
Selasa, 21 April 2020
Jumat, 21 Maret 2014
Genesis 9
Reading
from: Olley, John. Mixed Blessing for Animals: The Contras of Genesis 9,
in Norman C. Habel and Shirley Wurst
(eds.), The Earth Story in Genesis, England : Sheffield Academic Press, 2000,
p. 130-139
Introduction
When we read flood
story, we read about animals in their richness of their variety are included in
the occupant of the ark. We can say that this plentiful diversity of animals is
seen as good and is to be maintained. It was emphasized by the repeated “kol or
all” in Genesis 8:17, 19 (seven times).Yet the first reference to animal in
Genesis 9 is to “the fear and dread” of Noah and his descendants (9:2). So we
can see there is difference between Genesis 8 and Genesis 9. In Genesis 8 we
can see there is comprehensiveness between humans and animals, while in Genesis
9 the sole beneficiary is humankind. The question is does animals only simply
become as human food supply and ruthlessly treated by humans? And also a
question about does animals and humans seem to have accountability?
When we read Genesis 9
we get surprising information. The first covenant involves not only Noah but
also every living creature. (9:10. 12, 15, 16, 17). It simply described as
between God and “the earth” (Gen. 9:13). Next question is how can we understand
this chapter - this juxtaposition between humankind and every living creature? Meanwhile,
in the other hand, people still hard to except that animals can be recognized
as “covenant partners with Yahwe”.
Animals
– A Contrast to Near Eastern Parallels
The author explain that
we can get helpful information and context provided by other ancient Near
Eastern material, especially that known as flood narrative. (1) Atrahasis said
that both domestic and wild creatures are explicitly included in flood
narrative; (2) Epic of Gilgamesh has a reference that is in the command,
“Aboard that ship take thou wild creature of the field … I made go aboard”
(instead of only sent out birds); (3) Eridu Genesis: inside Eridu Genesis,
Ziusdra is made “preserver, as king, of the name of the small animals and the
seed of humankind.” So it means that the amount of attention given to animals
after the flood is intentional, not only because animals were in the ark.
Psalm 104
Praising God as Creator with
Psalm 104:
Rev. T. Adama A. Sihite[2]
Introduction
The word ‘psalm’ and ‘psalter’ are from the Latin ‘psalmi’ and ‘psalterium’
which are derived from the Greek psalmoi
and psaltẽrion. Apparently this
translation translates the Hebrew word ‘mizmor’
which is usually taken to mean “a religious song accompanied by stringed
instrument(s)’[3]
In the Hebrew Bible the title of the Book of Psalms is sẽper tehilίm or the book of praise although not all
psalms are praises. This term is a fitting name for the Psalter as whole
because the theme of praise and thanksgiving recurs again and again.[4] The
Hebrew Bible is divided into three parts: the Law, the Prophets and the
Writings. The Book of Psalms belongs to the Writing.[5]
According to German scholar, H. Gunkel, there are five types of psalms:
hymns (Heb. tehillά. Psalm
8, 19a, 29, 33, 46-48, 65, 66a, 76, 84, 87, 93, 95-100, 103-104, 11, 113-114,
117, 122, 134-136 and 145-150), communal laments (Psalms 60, 80, 126), royal
psalms (Psalms 2, 18, 20, 45, 110, 110), individual laments (Psalms 3-7, 22,
25-28, 51, 54-57, 139-143) and individual thanksgiving (Psalms 30, 32, 34, 41,
116 and 138).[6]
And in addition to these five major
types, Gunkel also recognized the existence of a number of other types. These
include the communal thanksgiving
(Psalm 124), the wisdom psalms (Psalms
1, 112), the pilgrimage psalms (Psalms
37, 49), and liturgies (Psalms 75,
85).[7]
We can divide all the psalms into five books (Psalm 1-41, 42-72, 73-89,
90-106, and 107-150) and each of those books concludes with a doxology, a
liturgical formula of praise to God (Psalm 41:13, 72:18-19, 89:52, 106:48, and
150).[8]
Form / Structure / Setting
One of the types of psalm is hymns or the psalm of praise. Actually almost
all the hymns are in the last third of the Psalter. They are post-exilic (but
not Psalm 104), while many of other psalms (though not all) in the first
two-thirds of the Psalter are pre-exilic.[9] These
psalms are called as hymns or psalms of praise because they relate to Yahweh’s
greatness and goodness as manifested on two main ideas: God’s creation of the
universe and God’s gracious acts in the history of Israel.[10] Some
of those psalms centre on the theme of creation or Yahweh’s lordship over nature.
We can find this in Psalm 19a, 29 and 104.
Although not all of them have the same structure, some of them have the
following threefold form:
1. Introduced call a praise
2. The main part of the psalm: motivation for the praise (often introduced
by kί or ‘for’)
3. Final repetition of the call to praise
The shorter psalm in the Psalter, Psalm 117, illustrates this simple
structure in the briefest possible way:[11]
1 Praise
the Lord, all nations!
Extol
him, all peoples!
2a-b For
great is his steadfast love toward us;
and
the faithfulness of the Lord endures for ever.
2c Praise
the Lord!
Ruth 1:1-22
Sometimes in my
place, when we read from Ruth, we put our reading into simple hermeneutic about
love. We use the book of Ruth, specially chapter 1:16-18. But now there is a
big question about it. Is it correct or not in context to put reading from Ruth
on wedding sermon.
The book of Ruth for
me can be divided four sections. And for chapter 1, I divide it into several
sub section : (1) bethlehemie tragedy in Moab (1:1-5); (2) returning to Judah
(1:6-19a); and (3) the arrival in Betlehem (1:19b-22).
This book was named
from one of three women’s name who apprear – specially in chapter 1. These
women are Naomi, Ruth and Orpah. And only Naomi and Orpah continued apprear in
the all narrative of the book. Even for this point, we can say that the book of
Ruth itself is a good example of the art of telling a story.
This book opens with an information about famine in the land of Judah, and interesting, closed with the first barley harvest after the famine. And in between, the narrator has worked on the theme of emptiness – fullness, like : Mahlon and Kilion – Kilion and Mahlon (1:2,5 and 4:9); husband and boys – boys husband (1:3 and 1:5); goes and return – return and goes (1:8a and 1:12); kiss and cry – cry and kiss (1:9 and 1:14); Shadday and YHWH – YHWH and Shadday (1:20-21a and 1:21b); These things also show us that the book of Ruth has a rhythmic prose; only in 1:16-17 we can see a poetic form of Ruth.
This book opens with an information about famine in the land of Judah, and interesting, closed with the first barley harvest after the famine. And in between, the narrator has worked on the theme of emptiness – fullness, like : Mahlon and Kilion – Kilion and Mahlon (1:2,5 and 4:9); husband and boys – boys husband (1:3 and 1:5); goes and return – return and goes (1:8a and 1:12); kiss and cry – cry and kiss (1:9 and 1:14); Shadday and YHWH – YHWH and Shadday (1:20-21a and 1:21b); These things also show us that the book of Ruth has a rhythmic prose; only in 1:16-17 we can see a poetic form of Ruth.
Isaiah 44:9-20
Reading Report Form
: Soares-Probhu, George M. “Laughing at
Idols: The Dark Side of Biblical Monotheism (an Indian Reading of Isaiah
44:9-20),” in eds. By Fernando F. Segovia and Mary Ann Tolbert, Reading
from this Place: Social Location and Biblical Interpretation in Global
Perspective, vol. 2. Minneapolis: Fortress Press, 1995, 109-131
Isaiah 44:9-20
can not be separated from chapter 43:22-44:23. This part of second Isaiah is
composed of Yahweh speeches. It’s form like a dialogue between Yahweh and
narator. The dialogue is about idol-makers and closed with final hymnic call to
praise. This dialogue also contains
accusastions that Israel has directly worship others god rather than
worship Yahweh.God recounts his service to Israel, including forgiveness of Israel’s
sins (v.25). The purpose of the speech is to prepare the way for the offer of
grace that is to follow.[1] Isaiah 44:9-20 is considered an imitation of
legal setting, called a taunting song even a satire against the idols. Like a
piece of drama, is provides a kind of comic interlude as two character ridicule
those who make and worship idols. The idolators are ridiculed. Not the idol but
the worshipers are the object of laughter. They are emptiness, who see nothing
and know nothing. They are shamed, less than human (v. 11), a mind decieved.[2]
In second Isaiah we can read that If Yahweh is the only God, then the idols of
the nations must profit nothing. Idols are nothing because Yahweh is the only
God. It reveals second Isaiah’s exclusive monotheism : Yahweh is a truly God,
the only God beside whom there is no other.
Psalm 79
Preface
Today in Indonesia, church closing incidents recently
are increasing. Those incidents happen parallelly with the increasing number of
moslem fundamental and radical movements in Indonesia, specially for this last
decade. The number of crime hates also increasing. Some people just can except
any differences any more and forget about diversities that Indonesia has as a
nation. Specially with this moslem fundamental and radical groups, they just
can except Christian as a part of this nation. They just do not like Christian,
even they just do not like other moslem groups which have differences
ideologies with them.
One of the church closing incidents happened
in our church at Dayeuhkolot, about 30 minutes from Bandung, the capitol city
for West Java province and at Cisewu – Garut, about 3 hour from Bandung. In
short they just came to our church and questioning about permit letter for
having worship activities in church building. They did not want to hear any
explaination that we gave specially about the permit letter according to one on
Indonesia’s law (number 8 and 9 year 2006 which regulate the permission to
build any religious building; but moslem fundamental groups only intrepret that
law to any religions except moslem).
The moslem fundamental movement in Bandung
(called AGAP / BAP) not only forbid all worship activities held in the church,
they also seal the church after they ruin and ravage church’s furnitures (in
the other congregation of GKP or Pasundan Christian Church, the moslem
fundamental group also burnt church’s building with everything inside it, like
bibles, furnitures, pulpit, hymn books etc).
When all these incidents happened and took a
place among our church members’ life, they felt very afraid, frustrated, felt
hopeless and in the same time, angry. They had a question about why this
incident happened. Was God angry with them? Did they do anything wrong so God
just let all the incidents happened in their life? They had a traumatic
experiences after saw how the moslem fundamental group ruin and ravage their
church building brutally and also threatened their life.
Sabtu, 04 Januari 2014
Mixed Blessing for Animals
Olley, John. Mixed Blessing for Animals: The Contras of
Genesis 9, in Norman C. Habel and Shirley
Wurst (eds.), The Earth Story in Genesis, England : Sheffield Academic Press,
2000, p. 130-139
Introduction
When we read flood
story, we read about animals in their richness of their variety are included in
the occupant of the ark. We can say that this plentiful diversity of animals is
seen as good and is to be maintained. It was emphasized by the repeated “kol or
all” in Genesis 8:17, 19 (seven times).Yet the first reference to animal in
Genesis 9 is to “the fear and dread” of Noah and his descendants (9:2). So we
can see there is difference between Genesis 8 and Genesis 9. In Genesis 8 we
can see there is comprehensiveness between humans and animals, while in Genesis
9 the sole beneficiary is humankind. The question is does animals only simply
become as human food supply and ruthlessly treated by humans? And also a
question about does animals and humans seem to have accountability?
When we read Genesis 9
we get surprising information. The first covenant involves not only Noah but
also every living creature. (9:10. 12, 15, 16, 17). It simply described as
between God and “the earth” (Gen. 9:13). Next question is how can we understand
this chapter - this juxtaposition between humankind and every living creature? Meanwhile,
in the other hand, people still hard to except that animals can be recognized
as “covenant partners with Yahwe”.
Psalm 104
Praising God as
Creator with Psalm 104:
Rev. T. Adama A. Sihite[2]
Introduction
The word ‘psalm’ and ‘psalter’ are from the Latin ‘psalmi’ and ‘psalterium’
which are derived from the Greek psalmoi
and psaltẽrion. Apparently this
translation translates the Hebrew word ‘mizmor’
which is usually taken to mean “a religious song accompanied by stringed
instrument(s)’[3]
In the Hebrew Bible the title of the Book of Psalms is sẽper tehilίm or the book of praise although not all
psalms are praises. This term is a fitting name for the Psalter as whole
because the theme of praise and thanksgiving recurs again and again.[4] The
Hebrew Bible is divided into three parts: the Law, the Prophets and the
Writings. The Book of Psalms belongs to the Writing.[5]
According to German scholar, H. Gunkel, there are five types of psalms:
hymns (Heb. tehillά. Psalm
8, 19a, 29, 33, 46-48, 65, 66a, 76, 84, 87, 93, 95-100, 103-104, 11, 113-114,
117, 122, 134-136 and 145-150), communal laments (Psalms 60, 80, 126), royal
psalms (Psalms 2, 18, 20, 45, 110, 110), individual laments (Psalms 3-7, 22,
25-28, 51, 54-57, 139-143) and individual thanksgiving (Psalms 30, 32, 34, 41,
116 and 138).[6]
And in addition to these five major
types, Gunkel also recognized the existence of a number of other types. These
include the communal thanksgiving
(Psalm 124), the wisdom psalms (Psalms
1, 112), the pilgrimage psalms (Psalms
37, 49), and liturgies (Psalms 75,
85).[7]
We can divide all the psalms into five books (Psalm 1-41, 42-72, 73-89,
90-106, and 107-150) and each of those books concludes with a doxology, a
liturgical formula of praise to God (Psalm 41:13, 72:18-19, 89:52, 106:48, and
150).[8]
Form / Structure / Setting
One of the types of psalm is hymns or the psalm of praise. Actually almost
all the hymns are in the last third of the Psalter. They are post-exilic (but
not Psalm 104), while many of other psalms (though not all) in the first
two-thirds of the Psalter are pre-exilic.[9] These
psalms are called as hymns or psalms of praise because they relate to Yahweh’s
greatness and goodness as manifested on two main ideas: God’s creation of the
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